Japoński zespół artystyczny TeamLab otworzył w Tokio interaktywną instalację „Las rezonujących lamp”, która wykracza poza ramy sztuki cyfrowej i zainspirowana jest wodą, światłem i tradycyjnymi japońskimi motywami. (Excerpt from the text)
The Forest Of Resonating Lamps is an interactive installation at the Mori Building Digital Art Museum in Tokyo. Part of the TeamLab Borderless exhibition, it features hanging lamps that shine brightly when a person approaches them. Once a lamp is activated, its light travels to the two nearest lamps and activates them too. (Excerpt from the text)
Kim Jung Hyun reunited with his “Crash Landing on You” co-star Seo Ji Hye! The actor’s agency recently shared a vlog on YouTube in which he visited the exhibit “teamLab: LIFE” after being invited by Seo Ji Hye. Kim Jung Hyun got dressed up like his “Crash Landing on You” character Gu Seung Jun for his reunion with Seo Ji Hye, who played Seo Dan in the show. He even bumped into the drama’s director Lee Jung Hyo on the way in. (Excerpt from the text)
SI BUSCAS BIEN encontrarás un museo de casi cualquier cosa, pero las atracciones que ahora presentamos toman la experiencia tradicional de ver el arte pasivamente y ponerla de cabeza. En estas se alienta a los visitantes a interactuar con sus exhibiciones y a una sana distancia de los demás con nuevas y distintas medidas de seguridad, como desinfectantes, planos de circulación de un solo sentido, menor capacidad de visitantes y más, para que puedan experimentar el arte de una forma nueva. (Excerpt from the text)
An imagination-defying visual arts exhibition set to open by the end of this year. Japan’s premier digital art collective, TeamLab, has created beautiful art installations in Tokyo and elsewhere in Japan that test the boundaries of interactive art, featuring themes such as water, light, and traditional Japanese motifs. For their next project, TeamLab’s imaginative innovations will be available outside Japan at the new Superblue Miami art center in Miami, Florida. (Excerpt from the text)
Whether sprawling across a Tokyo warehouse, taking over a Japanese castle, turning old oil tanks into waterfalls or even popping up in Melbourne, the digital art made by creative collective Teamlab can make you feel like you're in another world. That's a sensation we could all use this year, even if visiting the group's overseas sites is currently off limits due to international travel restrictions. Enter Teamlab's latest project: the online-only Flowers Bombing Home. (Excerpt from the text)
Nell’ultimo mese, il collettivo giapponese TeamLab ha lanciato una curiosa serie di installazioni al MASTER di Shanghai, centro espositivo inaugurato negli ultimi mesi all’interno del TX Huaihai Building. Una delle prime opere che saranno incluse nel monumentale progetto di esperienze immersive targate TeamLab è Shower. (Excerpt from the text)
Within a 10-minute walk from the Higashi-Tokorozawa Station on the JR Musashino Line, an impressive, irregular-looking granite structure looms over a slightly elevated hill. Surely, it is a man-made building. But for a split second, the structure looks more like an unusual tectonic mass created by mother nature herself. A closer look gradually reveals its multi-dimensional façade, alongside a shallow pool reflecting its image — a striking contrast against the suburban landscape. (Excerpt from the text)
Slowly, but surely, the world is learning how to navigate, and survive coronavirus. Museums, amusement parks, theaters, and other places where crowds gather have limited admission to keep us healthy and enjoying culture. teamLab, Es Devlin, James Turrell and other artists have come together to share experimental art at Superblue. (Excerpt from the text)
Superblue, a new company and venture in experiential art, is launching its first experiential art centre – with works by teamLab, Es Devlin and James Turrell – in Miami on December 22. Superblue kicks off its launch with ‘Every Wall Is a Door’, showcasing dynamic large-scale installations created by Es Devlin, teamLab and James Turrell, all on view through 2022. (Excerpt from the text)